Now Impending Doom arise once again from where they began, their own alpha and omega as a band, crafting the sixth album as punishing, focused, bottom-heavy, and musically blood-soaked as the earliest efforts that first won them notice before any notions of commerce beckoned them toward the more commonplace career path of the metal music industry.
They’ve worked with top-tier genre producers in the past, including Zeuss (Rob Zombie, Hatebreed, Queensrÿche) and Will Putney (Every Time I Die, The Amity Affliction, Thy Art Is Murder), but for album number six, they’ve returned to the grassroots and hands-on way they engineered and produced their earliest recordings, cloaking it in grimy sonic mysteries anew. Christopher Eck, who produced their first album, oversaw the proceedings once again.
This is musical blunt force trauma, from a personal place of desperate salvation and resolve. No competition, no compromise, no careerism. Impending Doom are renewed, purer than ever, united in their collective vision to create the heaviest metal missives imaginable.